The Cinema Book Pam Cook

• The Cinema Book Pam Cookies
• The Cinema Book Pam Cookbook

The Cinema Book Pam Cookies

Pam Cook edited the 1985 edition of The Cinema Book and is currently Professor of European Film and Media at the University of Southampton. Her most recent book is Gainsborough Pictures 1924-1950 (1997). Mieke Bernink is the editor of the Dutch film journal Skrien. Pam Cook edited the 1985 edition of The Cinema Book and is currently Professor of European Film and Media at the University of Southampton. Her most recent book is Gainsborough Pictures 1924-1950 (1997). Mieke Bernink is the editor of the Dutch film journal Skrien. T1 - Review of The Cinema Book by Pam Cook. AU - Verevis, Constantine Emmanuel. JO - Senses of Cinema. The Cinema Book is a film studies textbook edited by Pam Cook and first published by the British Film Institute (BFI) in 1985 as a resource for teachers. The first edition was based on the BFI Education Department's collection of film clips for use as study guides. The Cinema Book' is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies.

The Cinema Book Pam Cookbook

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First published in 1985, 'The Cinema Book 'was hailed as a landmark film studies text, presenting in accessible form two decades of intellectual activity on the subject. The second edition (1999) consolidated 'The Cinema Book's international reputation as the leading guide to film studies. This new edition has been extensively revised, expanded, and updated to include brand ne...

First published in 1985, 'The Cinema Book 'was hailed as a landmark film studies text, presenting in accessible form two decades of intellectual activity on the subject. The second edition (1999) consolidated 'The Cinema Book's international reputation as the leading guide to film studies. This new edition has been extensively revised, expanded, and updated to include brand new chapters together with original essays and case studies written by leading scholars from around the globe. It provides comprehensive coverage of seven major areas: Hollywood Cinema and Beyond; Stars; Technologies; World Cinemas; Genre; Authorship; and Developments in Theory. New topics include Global Hollywood; Contemporary Women Directors; Queer Theory; and Postmodernism. All sections are supported by in-depth analyses of films from the earliest days to the present.

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